Tag Archives: Julia Cameron

I’m jumping …

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… into a new part of the writing ocean: I’m offering a workshop with my writerly friend and colleague, Jenny Zia of the Center for Creative Change. We’re focusing on process, sustaining a writing practice, and getting to know one’s writing self. I’m tickled about facilitating the program in the community meeting space in the Lyric Theater’s Community Arts Information Office — we’ll go to local cafes and stores for some of our writing exercises.

Contact us at joyofwriting04@gmail.com for more info; some details below.

Writing for the joy of it

Have you always wanted to write but don’t know how to start or sustain your practice?

This workshop provides a series of structured exercises that honor the writing process, support discovery of your writer’s voice, and exploration and development of your stories.

Instructors Jenny Zia and Lesley Howard ground their facilitation in their own combined six-plus decades of daily writing practice, inspired by the philosophies of Julia Cameron, Natalie Goldberg, Anne Lamott and Priscilla Long, among others.

Jenny Zia, MA, MSW, has shared writing prompts and journal practices with a variety of individuals and groups. Lesley Howard is a local freelance writer, blogger, and one of the founding members of the New River Valley Voices juried reading program. Both are members of a long-standing writing group.

When and Where?

Jump Start: Saturday, Sept. 7, 9:30 AM – 4:30 PM

Momentum-Sustaining Sessions: Tuesdays, Sept. 17, Oct. 1, and Oct. 15, 6:30 – 8 :30 PM

The End is the Beginning Closing Session: Saturday, Oct. 26, 9:30 AM – 3:30 PM

$100 for all sessions; includes muse-nourishing snacks and beverages.

All sessions will be held at the Community Arts Information Office in downtown Blacksburg, VA; we will take field trips to local cafes for some of our exercises.

Contact us at joyofwriting04@gmail.com if you need additional information or to register.

The Best Pooper Scooper Ever

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Three cats ...

We have three cats and a corresponding number of litter boxes. We do our best to keep our cats indoors, for the usual range of reasons (wildlife, poop in neighbors’ garden beds, cat safety, plus there is nothing ickier than ticks), and hence we (mostly me) scoop the litter boxes twice a day. Yuck, I know.

But years of experience with the reality of the job’s daily tedium have honed my a appreciation for a well-designed litter box, litter that truly “clumps” and control odor, and a scooper that holds up to the very real physical stress of frequent use.

LOTS of litter, litter boxes, and scoopers are shoddily made crap* that breaks and must be unceremoniously deposited in the trash can in shockingly short order. No wonder parts of the ocean are full of tiny bits of plastic. I recently found a metal scoop with a comfortable handle and a large “sifting” basket and it is a JOY to use. Seriously, a joy. And yes, this all connects to creative practice.

Creative practice, for me, requires a regular scooping of the poop in my mind: the debris that’s built up due to the grocery list, kid-related problem/injury/emotional drama, or latest political scandal (no one in my family may utter the name of a certain politician because it throws me off my game for half a day, easy). I do this through Julia Cameron’s “Morning Pages” – though I wind up writing these pages sometimes in the afternoon, or sometimes not writing them at all but muttering them while walking the dog. Walking the dog even without a muttered litany often serves as my poop-scoop.

But before the morning pages I floundered. On those days that I rated as “good writing days” I wasn’t sure what was different from the “wretched writing days.”  I didn’t know why I couldn’t write on the wretched days, I just … couldn’t. Didn’t wanna. Wasn’t in the mood. Didn’t think I had anything to say. Felt snarled up in an angsty ball of twine. Everything I wrote seemed autobiographical claptrap.

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Pay attention to the little things in life ...

Part of figuring out how to scoop-my-poop was, of course!, the Artist’s Way. But the other big part of it was finding the right paper, the right pen, the right place: my muse is shy and demands certain elements be in place before she starts singing audibly. [Interesting side note: an interviewer asked whether it was true that when van Halen toured their contract had a “rider” stipulating they be provided a bowl of M&Ms withOUT any brown ones. Short answer, yes. Long answer: if the coordinators in charge of the venue didn’t read the contract requirements in detail –the details were extensive, expensive and important, safety-wise – they also wouldn’t come across this apparently whimsical request. So if the band arrived in the dressing room and there weren’t any M&Ms at all, or a bowl that had brown ones, it served as a heads-up that there would likely be other issues with the venue. My muse doesn’t require ANYone to remove ANY chocolate at ANY time from ANY location, but the point is: pay attention to your requirements. Heeding the little needs is part of practicing attention to the big things. Like the muse’s happiness.]

And. But. George Clark tells me one of his songwriting instructors writes in cheapie notebooks because the nice ones freeze her up. While I don’t disagree that any sort of paper suffices for capturing ideas, I unashamedly ADORE the fancy-pants paper and it makes me feel special every time I use it. There’s summat to be said for things that are comfortable and functional and lovely and dare I say it, make one feel “pretty” – whatever pretty looks like for you.

Image via Wikipedia

Virginia Woolf (1882-1941)

Virginia Woolf addressed this in A Room of One’s Own almost a century ago; blogger Julie Reiser addresses the same issue in her “The Care and Feeding of a Writer” post.

Don’t shortchange the physical aspect of your writing/creative practice. However you undertake to work – via pencil, pen, and paper, oil paints, yarn, recycled newspaper, pebbles, laptop, or audio recorder – do it in the way that feels funnest, loveliest, prettiest and most productive for you. If the nice paper freezes your creative soul, get rid of it! It’s simultaneously irrelevant and foundationally important.

It took me a while to feel like I “deserved” to write my morning pages in a notebook that cost more than two bucks. But I’m at a point in my life where I can afford the $2.01 notebook, and frankly, the quality of the paper vis-a-vis how quickly I can “scoop my poop” in my longhand scrawl is important to my productivity. Plus I love things that are pretty. [A fact the Engineer Husband was unaware of when he married me. It’s evened out, as his sports-fanaticism also hid out until we’d tied the knot. I spend money on original oil paintings; he shells out the big bucks for season football tickets.]

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Pretty! Image by Sarah Parrott via Flickr

I encourage you to indulge in that pretty something that’s called to you more than once. Play with what works for you. Play a few times, with different things. You may have to admit the yellow notebook lined in silky threads was a mistake, but if you poke around patiently and with an open mind, you will eventually find a tool that makes your heart sing. You can share what didn’t work for you at a creative-stuff-that-didn’t-work-for-me swap party.

And if the pretty stuff you find is useful for the daily poop scoop, all the better. It’s a crappy job*, cleaning up sh*t. You might as well make it as pleasurable as possible.

* All puns and scatological references are intentional.

Letting your Freak Flag Flap in the Wind … or not

Image by kendiala via Flickr

Sometimes, you just gotta let your freak flag fly

My college-era friend George Clark, not only has a blog, a fulltime job as a reference librarian, two kids, and a long commute, but a creative heart and soul. He has a respectable and, imo, charming collection of song lyrics. He even bought Robert Ray’s The Weekend Novelist after I shared its effectiveness for me. Although, he said, he wants to rip the cover off it so others – security guards, colleagues – won’t know the full extent of his creative heart and soul.  Nonetheless, he concluded in one of his emails, “Guess I should just let my freak flag fly.”

This line sparked all sorts of thoughts for me, but first and foremost: do we need to let our freak flags fly? YES, part of me roars. Or yells. Or says sort of loudly. Or whispers to my reflection in the bathroom mirror. Surely it is less “freakish” to create than to go through society’s routines without reflection, thought, reaction. But. Society with a capital-S dominates more often than not through its power to squish and homogenize our individual freakiness.

Four years ago, fresh from my first month-away-from-family retreat at Vermont Studio Center, I was working, hard, on my novel. Inspired, passionate, outline in hand, I labored on it at every available moment. In this particular instance, I was in Gillie’s (fabulous vegetarian cuisine, one place my now-husband took me when he wanted to convince me Blacksburg could be home. His clever, ultimately successful strategy included Gillie’s egg-n-cheese biscuits.)

Image by chersland via Flickr

Gillie's specials ... one way to Lesley's heart

I’d enjoyed my two eggs, home fries and toast, and I was nursing a cup of tea. My fingers were fairly flying across the keys due to the residual butter from said toast. “X” had also eaten there, with colleagues, and we’d exchanged a brief, friendly hello. But.

As X’s colleagues left and they rose to pay the check X stopped at my table. “Working on the great American novel? Delete, delete, delete!” These last words accompanied by gestures meant to indicate hitting the delete button repeatedly.

Did I engage in witty repartee, tease that X’s work (bureaucratic paper-pushing for a large commercial institution) was perhaps more worthy of deletion than my own efforts, did I look affronted or offended or reveal any sort of hurt? Nope. I laughed as unpublished authors, un-galleried artists, un-sung lyricists are wont to do, and X moved on, quickly, thank gawd, and my screen blurred with my brimming tears and I went to the restroom right quick and choked on a huge throat-full of sorrow and shame, and flushed the commode.

And became very, very angry.

No one would ever say: “working on a business plan? Deletedeletedelete!” Or, “designing on the curriculum for your freshman English class? Deletedeletedelete!” Or, “campaigning for [insert political candidate of your choice]? Deletedeletedelete.” (Ok, Gingrich’s staff did say that, but that was a rare event.)

While George hasn’t said his colleagues are insulting his copy of Rey’s book and the subsequent implication that he’s exploring the foothills of novel-writing’s mountain, I think it behooves us to be careful about how and with whom we share our tender shoots of creativity. Julia Cameron covered this territory brilliantly in The Artist’s Way, and I encourage folks to use that resource to systematically work through their decisions about how and with whom to share their efforts.

Image by kingmagic via Flickr

Tender ...

But bottom line for me, at this point, is: if it feels tender, it is tender. You are not obligated to share with anyone what you undertake in your private time or what you’re typing on your laptop or dreaming up in your head during those incredibly boring Powerpoint presentations. This includes spouses.

X isn’t someone I socialize with save once or twice a year, and the only way they knew about my novel was through a mutual friend, who supports my writing unequivocally. I’ve hardly sworn anyone to secrecy about my efforts; after all, it’s often the friend-of-a-friend who has productive connections or insights. Ultimately, my friend’s support outweighs the ickiness of X’s poor word choice (and X isn’t a bad person; they’d be sorry to know how their casual words affected me. I certainly have long since forgiven them; we all say things intending to be funny that fall flat. My reaction is mine.)

Image by iluvcocacola via Flickr

Give your babies a nest, tucked away from prying eyes

Nonetheless, I’m more cautious since the deletedeletedelete comment. We need to protect our creative babies. Shelter them until we’re clear that our art is not us. For me, that process looks like this: first the words are all about me, my response to a real or imagined situation. Then something about the story flat-out doesn’t work, and I have to change the structure/theme/rhyme scheme/perspective. That change demands others and this iterative practice, for me, at least, results in a piece that is about my craft, but not about me. Ideally the story will connect with others – in their own way. I’ve been surprised by what others see in my stories, often pleasantly so, sometimes less-pleasantly so – but once the story is done, readers’ reactions are their own, and have nothing to do with me, personally. If someone wants to deletedeletedelete my story, that’s fine.

And if I want the opportunity to practice the iterative tweaking and playing my writing requires, then I have to guard my space – literally and figuratively. Novelist and short story writer Margot Livesey’s strategy to sustain the “energy” of her stories has, upon occasion, involved making up another story to tell her friends and colleagues – a fiction to cover her fiction. Eventually, she notes, you have to tell folks that the fictional fiction didn’t work out but in the meantime it provides great cover! Here’s an excellent interview with Livesey by Valerie Compton.

Image by outlier* via Flickr

o joyous belly rub!

Let your creative self roll around in the warm summer grass, wiggly and grinning like a dog. No one can stop you from frolicking and basking in your mind when you need it. Especially if they have no idea you’re having that much fun.

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A grab-bag of ideas for “cover stories” to guard the spaces you need: taxes, filing, de-cluttering, sorting family photos, working on your will. Others? Tell us in the comments section.