Tag Archives: writing

I’m not myself when I’m not at home. For which I am grateful.

Fresco from Spanish Romanesque church

Fresco from Spanish Romanesque church

I had the good fortune to spend eight days in Spain for family vacation this June, the latter four in Madrid, a Big City with the expected hordes of tourists like ourselves, and the Prado, and churros, and late-night dining at outdoor tables. Madrid was hot, but “it’s a dry heat,” said the tour guide.

I will testify: it was a dry heat. So dry that toweling off after a shower was hardly necessary. So dry that I bought an extra tube of body lotion and depleted it. So dry that my curly hair didn’t curl.

At the risk of seeming weirdly obsessed with my hair, let me note that for better and for worse, while I was growing up (my formative years!) the reactions of strangers and friends to my unruly curls heightened my already-extreme self-consciousness of adolescence to a point of mild hysteria about the frizzes — I didn’t see another caucasian person with hair like mine ’til I was 25 years old.

But I digress: my hair changed, dramatically, in the dry heat of Madrid. I’ve been to deserts, lived in one for three months during a field study program, but never had it go so straight. By the afternoon, it dangled, limp and disinterested, into my eyes. Obscuring my view of Spanish men society.

While stumbling about thus blinded, I nonetheless caught glimpses of the locals talking, eating and drinking on a wildly different schedule from my American one. They have a light breakfast of espresso and maybe a pastry, because they were up late the night before. They work a bit (those lucky enough to be employed — Spain’s unemployment rate hovers around 25%), have another espresso and snack at 11, then break at two for lunch and/or siesta. They return to work from 4-7 PM, and eat dinner after that. Itty-bitty toddlers stroll with their parents until 10 or 11 in the evening; those without children head to clubs or bars. As my 16 y.o. put it, “up late at night, nap in the afternoon: this is a great schedule for a teenager, Mom!”

I’d read the guidebooks about Spain before going and knew what to expect. Being in and amongst that daily routine, however, was like standing next to the speakers at a live concert instead of listening through earbuds. Anyone who’s traveled or lived in a non-American country has probably shared this experience.

At the risk of stating the obvious, watching myself slip into a different lifestyle, be it for only a few days and only during vacation, I tiptoed into my brain’s quiet little side room of “what if.” What if I’d been born in a country less hell-bent on self-improvement and less interested in acquiring stuff? What if my hair hadn’t been that big a deal during those formative years?!

Grandma's espresso cup

Grandma’s espresso cup

I’m old enough now, and enough at peace with my life, to indulge in speculation without triggering regret that will in turn trigger life-choices-analysis-paralysis. Thus, I noted in my journal those elements of Spain that nurtured me. Some are vacation-dependent: It’s easy to manage siesta time without daily life, simple to stay out late when the dogs don’t need to be walked. But I found a short, doable ritual to bring home, too.

In the morning now, I sit in quiet with a (teeny tiny) cup of scalding-hot espresso, without reading the paper, listening to the news, or even reading a book. Just sipping, tasting, and swallowing. It takes five minutes (10-12 if you include espresso-making, which is not as snooty-patooty as it sounds and does NOT have to cost a thousand dollars for a snooty-patooty machine!). I use my Gramma’s pretty espresso cup. I stir in a scant spoonful of sugar. I finish, rinse the cup and spoon and I’m done.

Perhaps this is a ridiculously small new habit; perhaps if I had been born into a different time and place I would be weirdly obsessed about a non-hair aspect of my physical self; perhaps if I weren’t born into this time and place and culture I’d never travel and never know the difference ANYway so what does it matter?

Gaudi's church. I bet he had espresso every morning.

Gaudi’s Sagrada Familia church. I bet he had espresso every morning.

I believe it matters to be taken out of our normal routines and shown different approaches to everything because we are so interestingly, almost infinitely different. Because it’s fun.

Because when we are reminded that our habits are creations of time and space and place and not, in fact, Deep Truths, the door of possibilities is cracked just that little bit wider. You never know when that bit-wider is going to let in a big amazing don’t-know-what-it-is-yet that will blow the door off its hinges and change everything.

Here’s to paying attention to small actions every day, and opening ourselves up. Here’s to doing so in our writing, too. May it be so.

 

Perennials are the plants that come back every year. Unless they don’t.

This (in)famous explanation of perennial versus annual plants is one that I stumbled across about ten years ago, when I was gung-ho for gardening. It’s accurate: several perennials I carefully placed in the ground at fall planting time have showed nary a slender stem of themselves aboveground the following spring. Maybe the groundhogs ate the bulbs, maybe there was too much rain and the roots rotted in the damp soil. A more-experienced, faithful gardener could probably posit a few other reasons and make an educated guess about which was the most likely culprit.

But I’ve discovered that focusing on writing is not compatible with gung-ho gardening: each demands attention to detail at a level that precludes the other. So the rhubarb flowered before I harvested it, and the black-eyed Susans are running amok over the thinly-mulched paths, and the foxglove is begging to be divided.  My only gardening indulgence thus far was on Mother’s Day, when I requested a gift of labor from my sons and Engineer Hubby. We cleared a grassy bed and put in tomatoes, basil, and tomatillos. That’s gonna be it for the year. I swear. I will not procrastinate by weeding. I will not avoid the blank page by deadheading any flowers. I will not wander in the garden humming a song of despair about my lack of productivity.

Yeah, I don’t believe me either.

Purple petunias, in need of deadheading.

Purple petunias, in need of deadheading.

Besides, as Dr. Noa Kageyama notes in his blog post “Pride Yourself on Your Work Ethic? Why You Might be More of a Slacker than You Think,” forcing ourselves to sit down and “practice” when we really really really wanna take a nap or a walk or drink a cappuccino may be counterproductive — we’re not working efficiently or effectively when we’re tired, or dispirited, or hungry. That said, today I really really really didn’t wanna sit down and write. I wanted to, well, weed the garden and deadhead the purple petunias.

Discerning whether or not my resistance is grounded in a real need for rest, or not, is the tricky part. The most effective tool for discernment, for me, is writing. The type of writing I intend to burn before I die. Whiney, self-indulgent, wallow-in-my-first-world-problems writing. But here’s the thing. It works. When I put my whiney self into words, on paper, then they become just words. Words that I can re-read after the second cup of tea, words that I can then consider and compare to my now-cleared heart and head.

Today, I smiled at my words of angst — they were eerily similar to my angst as a younger woman, when I was parenting younger children, when 45 minutes to write was the highlight of the week. I hadn’t noticed, before I whined into my journal, that although I still feel I don’t have *quite* enough hours in the day, I have many, many more hours than I once did — and that I am doing much, much more writing than I did then. That the sense of “not enough” was based in my own choices to add (writing) work to my plate. How fascinating that I nonetheless was telling myself I didn’t have enough. Is that inherent to me as a human being: whatever we get we want more? Or is that unique to just me, the individual? Or a subset of humans, all of us sharing a delusion about time, energy and capacity?

I decided I don’t need to answer those particular questions today. Today, it is enough to notice that the stories I’m telling myself are perennials – they come back year after year. And to know that today, I can plant a different story. A big bushy annual that will shade out the perennial. Or I could dig up that tiresome perennial and relegate it to the compost bin.

Ah, the joy and power of words and overused metaphors. Onward to the blank page!

The Origami Penis

Disclaimer: there will be hardly any origami, and no male genitalia available for viewing or download in this post.

Origami fun

The “origami penis” phrase arose in a meeting of the New River Writers Project, when one of our members mentioned that his life is “too boring to blog about.”

No, some of us countered, your life is  not boring. Tell us about your eccentric clients! (I shall only reveal that he is a handsome fella of a certain age whose living demands he have extensive public contact. Not literal contact. Get your mind out of the gutter!)

The blog would have to be anonymous of course, someone added. You couldn’t reveal where you actually live. That’s true, he nodded. He paused. “I could call it the Handyman of Love,” he said.

Vulnerable

Vulnerable (Photo credit: S.H.CHOW)

We howled and moved on to the critiques, one of which was for a writer who’s hesitant about starting a blog without having at least a dozen posts ready to go. Another member joked that she didn’t really want to know what anyone else thought and would she have to receive comments on her blog? It was at this point that I slipped into writerly observation mode.

Ten of us were circled around a table; we all have stories in various stages of “polish” and professionalism; we write for a variety of reasons; we range in age from under-thirty to over-sixty.

But the humor within which we conceal-revealed our concerns led me to guess that we all share a worry that maybe we’re not unique enough, not literary enough, not funny enough, not interesting enough. Is this because we’re not in NYC? Because we don’t have MFAs from prestigious writing programs? Why do we think our lives don’t meet the “interesting-enough” criteria?

Spinning Tanoura

Spinning Tanoura (Photo credit: puthoOr photOgraphy)

Robert Boswell noted, in the Taos workshop I reference here, that writers must steal ruthlessly from their own lives. Writing is an ever-spinning dance: between arrogance (sitting down and writing my stories is worth the time and energy and money!), and humility (if I want anyone to read my stories, I need critiques of my drafts). Sometimes the whirl makes me dizzy. I am a Goddess! vs. I am a sh*t-shoveler in the lowest circle of hell. And who am I to tell anyone else what they should or shouldn’t do?

I’m betting this is not a surprise to anyone who undertakes a creative endeavor. And as I write this, I’m thinking sheesh, so WHAT, everyone knows this, shut up already.

connection

But the responses I receive to my words surprise and humble me, and that’s the thing: when we don’t share our creative acts, we don’t know what connections we’ve missed.  The what-ifs are infinite. Every kind word suppressed because I felt self-conscious, every deleted phrase, every un-remarked-upon link between X and Y: each of these might have opened a whole other path to venture down. Not necessarily a better path, or a worse path, but certainly one with more connection.

Why do we shy away from those connections? I have found that people, on the whole, tend toward decency and kindness. Those who don’t are great “testimony” for our writerly selves. Tell your stories!

That fellow-writer with a boring life? He speculated about making origami penises as part of a handyman of love business and sent us all into a borderline-hysterical orbit of giggling. He inspired my words here. Connections galore!