Tag Archives: writing

April 2023: Counting syllables

Part of my current writing project involves a future with flooding on the eastern seaboard of the United States. I’m no climate scientist, though of course I have observed, as we all have, that extreme weather is rapidly becoming more normal than extreme. So to shore up my fictional world, I’ve been reading the U.N. Climate Report.

There are so many things I love about this massive bureaucratic document. I love that each chapter begins with an overview of what’s going to be covered. I love that it states how much the authors agree about, and have confidence in, their statements. What I love the most: how they’re valiant efforts to be neutral in their vocabulary and syntax reveals the breadth and depth of destruction caused by our systemic objectification and subjugation of the natural world.

For example: “Anthropogenic warming has resulted in shifts of climate zones, primarily as an increase in dry climates and decrease of polar climates (high confidence). Ongoing warming is projected to result in new, hot climates in tropical regions and to shift climate zones poleward in the mid- to high latitudes and upward in regions of higher elevation (high confidence).

These sentences make me twitchy for poetry, which so often functions as the great unmasker of the naked emperor. (And when poets turn to essays, as Ross Gay does in Incitement to Joy, they continue to unmask.) I’m no poet, but I can count syllables and I’ve gone a little nuts playing with the ways some of the UN report’s language could be shaped into semi-found haikus/tangas. This is pure play, and I do not intend disrespect to these forms with my amateur frolicking (in particular, I realize haikus are usually untitled, but titles here were my launchpads…). Thinking in syllables served as a refreshing break from my longer work, allowing me to return to prose with a slightly-more-finely-tuned ear.

1. Technical Summary, page 49

Local trees dampen
amplitude of extreme heat.
Still they welcome us.

2. Climate-related extremes on land:
risks are amplified

I’m thinking this means
trailer parks, shacks, shanty towns,
human well-being,
nevermind ecosystems. Knowledge gap!
See update in two-point-two.

3. Introduction to the chapter structure

optimize across
the lands’ sectors stakeholders
sustain policy
-relevant best management
assess for mitigation

May it be that poetry alights upon your eye and ear whensoever you are in need of it.


March 2023: Others’ Words

I’m down on the mat wrestling with my larger piece of fiction which is several smaller pieces of related fictions, and have been reading widely for organizational inspiration. Here are tidbits that I’ve found memorable for the ideas they express, for their musicality, for their perspective, for their humor.

[P]erception is then language with which we attempt to grapple with the idea, the concept, the phenomenon [of time]. List any ten speeds for time: summer morning, winter dusk, boring lecture, first time making love with woman you actually really love, drunkenness, moment of death, car crash, heart attack, any and all meetings of more than seven people, childhood, and not one happens at the same speed as the others, some are blindingly fast and over instantly and others drone and moan on until you contemplate removing your spleen with a pepper shaker just for entertainment’s sake.

— Brian Doyle, Mink River

* * *

“Every greedy man-made thing dangling with a price tag

Has sunk into the darkness to be properly cleaned up by the starlight.”

–Nikki Finney, Love Child’s Hotbed of Occasional Poetry

* * *

She looked at Philomena’s orange hair and smoke-colored eyeliner and at Justin’s mangy beard and demonic stare. She could see nothing of what her children had once been.
Bradford lifted his nose from the wineglass.
Did it occur to you that your mother and I actually worked to pay for this chicken? he asked.
Philomena shrugged. Justin said:
The chicken worked harder.

–Thasia Frank, “Enchantment” in Enchantment: New and Selected Stories

* * *

He had never experienced such a sky. In England, where heaven is a low-hung, personal affair, thoroughly identified with the King James Version, a sky such as this would not have been tolerated for a moment. It was a high, pagan explosion of a sky, promising indulgence for all kinds of offenses to which he had not the slightest inclination.

— Shirley Hazzard, “The Worst Moment of the Day” in Collected Stories.

* * *

One morning before dawn it got very cold in the guest room. Grandmother dragged the rag rug up on the bed and pulled some raincoats down from the wall, but they didn’t help much. She supposed it was due to the bog. It’s a funny thing about bogs. you can fill them with rocks and sand and old logs and make a little fenced-in yard on top with a woodpile and a chopping block–but bogs go right on behaving like bogs. Early in the spring they breathe ice and make their own mist, in remembrance of the time when they had black water and their own sedge blossoming untouched.

–Tove Jansson, The Summer Book

January 2023: in praise of editors

From the simplest lyric to the most complex novel, literature is asking us to pay attention. Pay attention to the frog. Pay attention to the west wind. Pay attention to the boy on the raft, the lady on the tower, the old man on the train. In sum, pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein.

Frederick Buechner, b. 1926

I had the pleasure of finalizing proofs for my story with Chelsea Lemon Fetzer, of Little Patuxent Review, in early January. Because of what she paid attention to, I discovered that my timeline was inconsistent, as was my use of bulleted lists. The first is a Big Deal for the flow of the story; the second is a Smaller Deal that would distract only the copyeditor-inclined among us. But both made me think harder about the story, the questions it raises, and how choices large and small impact its effectiveness.

And that thinking in turn led me to ponder all my other life editors. My friend who reminds me that my tendency to go from “not-too-hungry” to “gotta-eat-now” was present when we met each other, thirty+ years ago, so maybe that trait isn’t an indicator of oncoming type two diabetes. My ex-husband who reminds me that once upon a time, I didn’t give a rat’s ass about accurately measuring coffee and just drank whatever–so maybe I can rethink my current practice of ditching an espresso shot that is a few grams above what it should be. My young-adult children, whose continuing participation in family traditions show that I did some parenting well and perhaps I could stop beating myself up about my mistakes. My current partner, who points out that I drive myself literally nuts when I try to do more than one thing at once–so maybe I can consider not-baking a (literal or metaphorical) cake from scratch. My own journal entries, which reveal that I’ve struggled with consistently submitting stories for my entire wiring life, and so maybe it’s time to stop spending time resisting my resistance, acknowledge it’s a thing for me, and move on. Because the odds of getting to learn from editors of all types and stripes increases when I accept that I don’t know what I don’t know, open up, and engage anyway.

May it be so for you, too.

Giovanni Mannozi, “Death Seated on Political and Religious Trophies,” study for the ephemeral decoration for the funeral of the Grand Duke of Tuscany. Which I interpret as: pay attention and give it a go, we’re all gonna die anyway.