Tag Archives: writing

What’s in your creative kitchen? Eggonog? Whole grains and lean proteins?

My children are living proof that what the mom eats while pregnant influences her offspring’s taste preferences … my mommy friends and I speculated that this was so, anecdotally; then there was an Official Study that confirmed it, as reported here. Pregnant with my first child, I cut waaaay back on sugar consumption, and downed cottage cheese, broccoli, applesauce, and whole grains like there was no tomorrow. This did not prevent me from plumping up – at forty weeks I’d gained more than forty pounds! – but that first-born was 100% healthy.

With baby number two, my diet was dictated by nausea (tolerable food groups: mint chocolate chip ice cream). And my cooking was compromised because the aforementioned healthy infant had morphed into a 100% healthy toddler – healthy being a euphemism for Totally Wild and in need of lots of “large muscle group” exercise every day. All day. The couch was a launching pad for leaps into large pillows, the tiny “great room” a race track, the yard a football field (yes, he was that obsessed that early). The mother a staggering, exhausted  referee, medic, and coach.

Sugar sugar

Image by dhammza via Flickr

Son number two emerged just as healthy, but canNOT seem to consume enough sugar to satisfy himself. Now, admittedly, he will also eat roasted cabbage, sushi, and Indian-spiced chicken – all foods son number one will sample only a molecule of  – but the sugar! Oh, my lord, the sugar! He collected eight pounds of candy on Halloween. At our house, the rule is, eat as much as you want Halloween night, leave the rest out for the “switch witch,” who replaces the candy  by a modest kid-desired item.  Son number two ate THREE POUNDS OF CANDY in one evening and suffered no immediate ill effects. The story of his health over the coming decades of his life may tell a different tale; my strategy is to try to fill him up with as much healthy food as possible, educate him about how many grams of sugar are “ok” and limit the treats we have in the house.

Which is a relatively effective strategy. Unless it’s Christmas. At which point this mama indulges in her passion for baking and tasting and dipping everything in chocolate and nibbling … you get the picture. My kids are too old to believe all the biscotti was given away. So we enjoy more desserts than usual, and talk about it how it’s a bad habit more than my kids would like.

My mother did the same thing: lots of conversation about nutrition. Her story about food is in my head and I am living it out. Eggnog notwithstanding, I’ve found recipes for roasted cabbage and pan-seared kale that would make her proud.

When I realized this (which sounds simple, but was epiphany-ic for me), I was also dipping into the essays in The Impossible Will Take a Little While, edited by Paul Rogat Loeb. My simple epiphany plus those essays has led me to contemplate the role of story in life, and Life.

Cover of

Cover via Amazon

Stories in life are partly to entertain, partly to educate – Grimm’s Fairy Tales are as, uh, grim, as they are in part because a scant hundred years ago, children who strayed might well be eaten by a bear or wolf – if not literally, then figuratively.

And stories about Life are also the voices we hear in our heads thirteen years after our mothers have died, reminding us that eating fruit before gobbling a cookie (or the entire TIN of cookies) will help us feel better.

Telling stories is the first step in manifesting their reality, as highlighted by Susan Griffin’s essay, “To Love the Marigold,” in Loeb’s book. The surrealist poet Robert Desnos was imprisoned in a concentration camp during World War II. When he was taken to the gas chambers, he jumps into the line and asks to see the hand of one of the condemned behind him. “Oh, you have a very long lifeline,” he says. “And many children yet to be born.” He did this, enthusiastically, for all the would-be gasees in the truck. The guards didn’t march them into the chambers. They returned them to the camp, where at least one of them lived to tell the tale. (Desnos died of typhoid shortly after the camps were liberated.)

The power of story-telling accounts in large part, I believe, for the effectiveness of affirmations. Although, as I write “I, Lesley Fay Howard, am a brilliant and prolific writer,” there is a part of my brain muttering in the corner, “Jane Austen didn’t do this sh*t.” Though of course I have no idea what Austen told herself to persevere in writing. Because no doubt about it, writing – creating art of any sort – requires a semi-insane sort of doggedness possible only in a self-generated, alternative reality.

When I manage to fill my proverbial “womb” with good nutrition for my creative soul, I do better. I write more when I go into my office and sit down. I write more thoughtfully when I’m reading poetry (seared kale!) than when I’m reading plot-boilers (thick slabs of yule log cake).

Jane Austen's House, Chawton, Hampshire

Jane Austen's house: she didn't manage this without servants! Image by randomduck via Flickr

So why is it a daily challenge to practice the better habits I know make me feel better, make me more productive? I want to note that my mommy hat is large during the holidays: “I can’t possibly go to my office and write with both boys home. I need to cook, clean, set a gorgeous table, etcetera. I don’t have servants! Did Austen have to do all this work?! No, her holiday work was done for her! If I had servants, this mommy hat wouldn’t interfere with my writing!”

That, dear reader, is writerly dodging of the first, and deepest, degree. The good-ish news is that I recognize my dodges more speedily, and correct my course accordingly. I’ve learned to set my alarm half an hour earlier so I can sit my butt at my desk and do some writing before the late-dawning winter sunshine wakes the kids. I call it “better than nothing” writing, and altho’ my time constraints are real, I need to sit and ponder and scribble without someone asking me whether they can download an app that will make their online character look like a pig. (Really? Really. Good gawd.)

Thus far, better-than-nothing writing satisfies me enough to reduce the otherwise-appealing distraction of setting the prettiest table, and that in turn enables me to re-align my mommy hat such that its brim doesn’t obscure my writer’s desk. And if some ten year old reallyreallyreally wants that pig-skin app after leaving mama alone, I have the wherewithal to download said app without distracting my despairing muse with an online order of my own (candles! Napkins! I need these for the prettiest table!). As if she’d be truly satisfied with the superficialities in the long run. I’ve tried buying her off. She has yet to accept such trickery, clobbering me with mild depression, general angst, and the exploding head I’ve referred to in earlier posts. But if I can grant her sixty minutes, my writing maintains a steady albeit slower-than-I’d-like pace during the times when the mommy hat is large.

English: Cowboy Hat

The large brim of the mommy hat carries a lot of debris ... Image via Wikipedia

“Steady on”  is the story I’m going to tell myself in  2012. I’ll keep up with the affirmations, too, sarcastic muttering in the dark corners of my brain notwithstanding.

Making more of what I have, and less of what I don’t.

I had some folks over for game night recently; Engineer Hubby has been traveling and on this particular evening the boys were both avidly watching (and then bemoaning the results of) Virginia Tech’s football fate in the regional championship. I’m sort-of following FLY-Lady’s “Cruising for the Holidays” plan, which means I do a little bit every day, and although some days I resent the little bit, it also means that having people over isn’t stressful: a quick sweep to gather up the day’s cat and dog hair is about all that’s required. Which is lovely! I know author Laura Benedict actually gave FLYLady an Official Acknowledgement on the Acknowledgement page of her first novel, which is no small thing, as anyone who’s fantasized about having such a page, and who they’d include on it, knows.

Hermit Crab. Polinesia.

So. Folks over. For all my hermit-crab ways, I know I need people and their quirks and their loving ways and their good hearts and thoughts in my life. ‘Twas lovely, and we had a few drinks and few nibblies and it was very Civilized. Though some of us are more persnickety about the rules being strictly followed than others; some of us want the game to be played Efficiently (eg, no side conversations! What’s your card?!), some of us are hard of hearing; some of us don’t realize others of us are hard of hearing; some of us think the others of us are competitive egotistical maniacs; some of us think everyone is taking it too damn seriously!; some of us know we’re hard of hearing and speak slowly and clearly; some of us are writers and are, compulsively, taking massive quantities of mental notes. Not necessarily me; there was a poet at the gathering, too!

Notwithstanding the specifics of that event, I find myself floundering, more often than I’d like given my age and so-called experience and wisdom, in social settings. This is temporarily mitigated when I read essays by other writers who experience the same thing. But it remains a chronic challenge for me. A zone of discomfort, albeit one softened by a healthy slug of port, and a zone where good things also happen.

And it reminds me of the friends with whom I do not flounder. A few rare souls with whom my awkwardness is nonexistent, for whom my sense of humor is instantly understood, who make me feel beautiful inside and out. I want to nurture those friendships, and yet I don’t. I don’t often invite them over for game night, or drinks, or to watch a movie or to take a walk in the woods or whatever other small, daily bit of life I’m living and could share with someone.

This is often because, frankly, I don’t want to share. I want to be left the hell alone. My kids gobble up all my extrovert energy, plus we are SO DAMN BUSY.

Henry James, by John Singer Sargent (died 1925...

And it occurred to me while taking one of those solo walks that my relationship with my friends parallels that of my relationship with my favorite authors and their books. I had a passionate love affair with Henry James novels in my early twenties. I’d love to return to Portrait of a Lady and see what, if anything, resonates with me now. Ditto Laurens van der Post’s A Far Off Place. But I don’t make the time. I pick up new books, I skim the inside flaps of the latest and greatest novel, I take notes when Maureen Corrigan gives her recommendations and compare those with the various bestseller lists compiled by Publisher’s Weekly, then don’t venture to the library to pick up a copy, or splurge and buy a copy.

George Eliot

George Eliot, via Wikipedia

Just as I fail to pick up the phone to call my brother and father on a regular (dare I say it, disciplined) manner, I fail to return to the words and stories that formed me. I need to reflect and refine my thoughts to write –I’ve re-read Emma and Middlemarch, and both yielded generous fruit. How different to be on the other side of love, marriage and childbearing and read Austen and Eliot! Why don’t I re-read more often?! Why don’t I call the friend of my early twenties, the one with whom years melt away when we bump into each other? Why don’t I commit to hosting or attending more social gatherings, where I’ll deepen old connections or build new ones?

The effort it takes to enter the social discomfort zone, open new books or re-read known novels, is laden with potential friends, readers, fellow-writers, insights, opinions. And I’ll never know if I don’t show up.

Well, I tell myself. You are So Damn Busy. Yes, but.

Ballpoint pen writing. Streaks of ink are visi...

Pen on paper, image via Wikipedia

I am so damn busy in part because I’ve fallen into a rut of thinking that butt-in-chair, hands-on-keyboard (or pen-on-paper) is my only “real” writing time. I hold those hours sacred, and everything else is play, time away from the Real Work.

When time away is forced upon me by, say, an older son with a concussion followed by head cold that puts him to bed all week with pathetic requests to me for things like tissue and Vicks Vaporub, I have, traditionally, squirmed with anxiety about the time away from my desk. But! Personal progress! This week, spurred in part by The Happiness Project by Gretchen Rubin, and The Life Organizer by Jennifer Louden, I forced myself to consider these breaks opportunities to undertake “other” writing work. I decided to make the most of what was before me, instead of lamenting what I don’t have: uninterrupted chunks of time. So, I hosted my writers group at my house for our craft discussion. I read the memoir I’ve had on my to-do list, settled into my reading chair and stared at my bookshelf and selected my top three re-reads for 2012. Had folks over for that game night. All things related to my writing life but that I haven’t done because “I don’t have time.”

I suspect, based on the evidence, that breaks from at-my-desk time will continue to occur organically while my boys live at home, and run into each other at high rates of speed, cracking skulls. But I also want to honor the time to (re)connect with friends – real and fictional – old and new.

It feels cold-blooded to pencil into my calendar, “reading hour” but if I don’t, it doesn’t happen. It feels equally workman-like to schedule a phone call with my dad, my friend from the 80s. But if I don’t, it won’t happen. I’m breaking out my 2012 calendar and inking in sacred time for getting into my discomfort zone, socially. And for reconnecting with those real and fictional friends.

Group on sled in Riverdale Park. (Toronto, Canada)

Image via Wikipedia ... o that my sons were this civilized!

With a back-up plan for the inevitable snow days when the boys are home, flying off sleds into snowbanks.

Paying attention and honoring what we see …

My eldest son plays hard, Image by Jeannine Eddleton

I’m writing this as my older son sleeps, hopefully deeply enough to restore his depleted energy after yesterday’s intense soccer matches.  What a range of soccer parents schlep their kids to these games! There are of course the win-at-all-costs parents – and it’s not only dads who scream at players – but that is a stereotype, just as “the people” that are referred to during election seasons don’t fit into the stereotype of the shorthand labels we bandy about like Truth. When it comes down to it, most Tea Partiers, moderate Republicans and Blue Dog Democrats, in checkout lines and over a cup of coffee, would manage to find commonalities. Everyone has red blood.

And we all support our kids. No matter how we support them in their passions, most of us make an effort because we love our children and want to honor the spark of life manifest in their desires. Best as we can, we notice, nurture, and navigate the world to facilitate setting their ever-growing-and-when-they’re-teenage-soccer-players-STINKY feet on paths that in our (necessarily limited) experience will help them discover whether or not their passion is vocation, avocation or occasional hobby.

typewriter.detail5

ye Olde Typewriter, Image by jcbonbon via Flickr

My parents were among the first to show me the path I’m on now. They read to me, gave me books from their childhood – and when I happily scrawled my own stories in kindergarten, they hied me to the library weekly, pointed out books about writers, outfitted an old desk with an equally old (manual!) typewriter and all the scrap paper I wanted. I wasn’t sent to any special camps, but they certainly honored what they witnessed in me.

Nonetheless: when I see a van full of kids being chauffeured down the interstate to soccer tournaments, or youth orchestra, or juggling classes, an echo of an interview rings in my head.

A female author was sharing her story of achieving success in her forties after a twenty-year hiatus (cannot for the life of me remember who it was, my apologies). She’d achieved a modicum of publishing success immediately after college, then fell in love and had a child. And a second. Not surprisingly, her creative output trickled and ceased. She’d found a mentor before she’d begun childrearing, and when she and her partner were debating adding a third child to their family, the mentor opined: every child you have is another novel you will not write.

I heard this while driving to work, pregnant with the boy who is now snoring quietly in the adjacent room (yes, I am drafting this in the hotel room’s bathroom, so the lights don’t wake him up, my forty-something butt cushioned by hotel towels).

The mentor was correct. I certainly have three or four collections of ideas and plot outlines and free writes that, given time enough, could well be novels, but probably won’t be. Because I am raising children as well as writing.

Portrait of Virginia Woolf

Virginia Woolf: proof positive that great art is unrelated to one's parental status.

The mentor was also incorrect.  Despite the real and metaphorical headaches of bringing up my boys, and the incredible amount of time they consume, I could not possibly write as I do if I were not a parent. I imagine my writing would be different (not better or worse, different) if Engineer Hubby and I had remained child-free. This is certainly NOT to say those who aren’t parents don’t create complex, rich, and marvelous art. Arguably, since historically men have comprised the majority of the artist class and, also historically, they were very minimally involved in the grind of parenting, it’s hardly a requirement for great art. Or lousy art.

However, bottom line, one needs extended periods of solitude to make *anything* (nine months gestations for humans plus 18 years for ripening … no wonder Donna Tartt takes a decade per novel!), so hands-on parenting necessarily compromises those of us with artistic bents.  “Oh, but it’s worth it,” we say, after griping about our finicky eaters or the history teacher who doesn’t understand our precious progeny.

Actually, it’s not worth it, financially, for many of us. Nor is it even metaphorically worth it on the days consumed by the thrust-and-parry around their so-called “needs.” (I NEED an Xbox. Uh, no, you don’t. You need to get your ass outside and run a couple miles so you’re too tired to whine about material goods. Then you need to take out the compost so your mother doesn’t use words no former English major should unleash on her children before they’re twenty-one.)

Kids! Image by the awesome Anne Jacobsen

But our lives, with all the warts, whining, and wasted moments, are what we have to work with. The consequences of our choices, be they nights of passion or carefully plotted and sought-after goals, are with us. Here. Now. Though they won’t always be (we have fewer years with our kids at home before us than we have behind us).

These moments, on these days, the choices I make to write or not write, even if only for five minutes, is all that is. Annie Dillard is credited with the succinct, truthful observation that “How we spend our days is, of course, how we spend our lives.”

She’s right. If I want to write, even if it’s only for my eyes only, even if I aim for publication and fail, then I have to do it. Writers write. Period.

My parents noticed and honored the writer they saw in their little girl. Surely, even as I pass the gift of honor on to my sons, and chauffeur them hither and yon, I can continue to honor my own girl. Reading stories and making up my own, scrap paper at the ready.