June-July 2023: Summer reading and a sort-of love letter to Becky Chambers and Ross Gay

The infrastructural delineation between human space and everything-else space was stark. … the villages … were as neatly corralled as the City …. This had been the way of things since the Transition, when the people had redivided the surface of their moon.

Becky Chambers, A Psalm for the Wild-Built (18)

Oh oh oh my summer reading list started off with Becky Chamber’s Monk & Robot series. Which manifests Charlie Baxter’s idea that one of a writer’s roles is to serve as an archivist of the vanishing world, and Toni Morrison’s encouragement to imagine your ideal future, and to then paint your rooms the colors they would be in that ideal future. (I heard her speak to that concept when I was a young woman in Cambridge, ~1990, and have had turquoise blue on my walls ever since.) As we live betwixt and between a past that is–literally–going up in flames and an unknown present that we need to collectively imagine, I want Chambers’ vision to inform our north star:

And her vision is oh-so-palatable because she weaves sensory pleasure throughout:

They snacked on spicy pine seeds as the grill did its work, then gorged themself on slow-roasted elk and wavy-edged mushrooms and acorn flatbread freckled black with flame. A generous hunk of prickleberry cobbler was presented afterward, along with a bowl of mint leaves for Dee to munch on in the afterglow.

Becky Chambers, A Prayer for the Crown-Shy (25)

Even though this is fiction, “just a story,” it’s packed with Deep Concepts about consciousness, fairness, and tackles a Big Question: what do humans need? Chambers generously salts the two books of this series with sensory pleasures that make reading it a joy (and as Ross Gay reminds us, joy is a form of resistance*). Not incidentally, that delightful reading experience means we, the readers, can directly experience the (joyful) humaneness of living in this alternative future. Damn, Becky Chambers, you have nailed it!

You have also brought to fruition the seed my mentor planted months ago: my own story has been falling short because it has been almost completely bleak. So bleak that I have rushed to its end, because even I, the author, haven’t wanted to linger with the rising waters, death, and general misery. What a terrific relief to turn toward what can still be or become beautiful and bountiful. What a terrific practice, to focus on what will be right even as many things go wildly wrong.

What a terrific gift, to have a life in this moment.

May it be so.

*Specifically:

My hunch is that joy is an ember for or precursor to wild and unpredictable and transgressive and unboundaried solidarity. And that that solidarity might insect further joy. which might incite further solidarity. and on and on. My hunch is that joy, emerging from our common sorrow–which does not necessarily mean we have the same sorrows, but that we, in common, sorrow–might draw us together. It might depolarize us and de-atomize us enough that we can consider what, in common, we love. And though attending to what we hate in common is too often all the rage (and it happens to also be very big business), noticing what we love in common, and studying that, might help us survive.

Ross Gay, Inciting Joy (9-10)

May 2023: Re-effing-vision

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April 2023: Counting syllables

Part of my current writing project involves a future with flooding on the eastern seaboard of the United States. I’m no climate scientist, though of course I have observed, as we all have, that extreme weather is rapidly becoming more normal than extreme. So to shore up my fictional world, I’ve been reading the U.N. Climate Report.

There are so many things I love about this massive bureaucratic document. I love that each chapter begins with an overview of what’s going to be covered. I love that it states how much the authors agree about, and have confidence in, their statements. What I love the most: how they’re valiant efforts to be neutral in their vocabulary and syntax reveals the breadth and depth of destruction caused by our systemic objectification and subjugation of the natural world.

For example: “Anthropogenic warming has resulted in shifts of climate zones, primarily as an increase in dry climates and decrease of polar climates (high confidence). Ongoing warming is projected to result in new, hot climates in tropical regions and to shift climate zones poleward in the mid- to high latitudes and upward in regions of higher elevation (high confidence).

These sentences make me twitchy for poetry, which so often functions as the great unmasker of the naked emperor. (And when poets turn to essays, as Ross Gay does in Incitement to Joy, they continue to unmask.) I’m no poet, but I can count syllables and I’ve gone a little nuts playing with the ways some of the UN report’s language could be shaped into semi-found haikus/tangas. This is pure play, and I do not intend disrespect to these forms with my amateur frolicking (in particular, I realize haikus are usually untitled, but titles here were my launchpads…). Thinking in syllables served as a refreshing break from my longer work, allowing me to return to prose with a slightly-more-finely-tuned ear.

1. Technical Summary, page 49

Local trees dampen
amplitude of extreme heat.
Still they welcome us.

2. Climate-related extremes on land:
risks are amplified

I’m thinking this means
trailer parks, shacks, shanty towns,
human well-being,
nevermind ecosystems. Knowledge gap!
See update in two-point-two.

3. Introduction to the chapter structure

optimize across
the lands’ sectors stakeholders
sustain policy
-relevant best management
assess for mitigation

May it be that poetry alights upon your eye and ear whensoever you are in need of it.